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Loading... A Great and Terrible Beautyby Libba Bray
Gaslamp Fantasy (28) Faerie Mythology (34) » 10 more Loading...
Sign up for LibraryThing to find out whether you'll like this book. No current Talk conversations about this book. After the first two CDs, I was ready to quit, but I didn't have anything else to listen to, so I kept going. It does get better as it goes along, but it never really sank its teeth into me. Overall, I'd say it was decent, but not great, in all aspects, including the audio book narrator. I never really understood what it meant to bring the magic of the Realms into the real world. I was truly surprised by a couple of twists, but I also didn't totally get how they worked. And Gemma's lust for Kartik made me uncomfortable (and I read lots of romance novels). It just felt kind of icky in the context of a teen fantasy because it was pretty graphic. I don't think I'll continue reading this series. And I feel bad about that time I recommended this to a girl who was bummed about the really long wait for the [b:Hunger Games|2767052|The Hunger Games (Hunger Games, #1)|Suzanne Collins|http://photo.goodreads.com/books/1267255754s/2767052.jpg|2792775] at the library. I gave her this and Graceling, having read neither, but under the impression that they were both good. We'll see about Graceling next! I really really wanted to like this book. It was recommended on a thread of good YA and I do love good YA. However, this is not good YA. The writing was stilted (others have remarked on the anachronistic tone but that was maybe intentional so I'll just say I agree it felt out of place). It was incredibly colonial and racist (and unlike the misogyny it never seemed to try to address the racism and colonialism of the time period). It *did* try to address the misogyny but failed in my opinion (it seemed very un self aware about misogyny in its descriptions of Anne in particular, but there were other bits that made me pause). The self harm angle could have been interesting if it had been handled at all well (according to the book people cut when they don't like their lives but when they have something joyful to do they stop immediately). Non of the characters had, well, character. There was the protagonist, who, um, didn't like her mum but missed her terribly, I guess that was her thing? And then Felicity who was kinda smart, liked power, and had parents who didn't have time for her. And Pippa who was pretty and whose parents were poor and so wanted to marry her off (and couldn't find anyone rich who was even vaguely the same age as her...). And then Anne, the fat and ugly scholarship orphan. It maybe says a lot about the writing that I feel like I know more about these girls' parents and their motivations than I do the girls themselves. I genuinely don't have anything good to say about the book except that I did end up staying late to finish it so by the end it clearly did make me want to finish. That's why it gets 2 stars rather than 1 (I've changed my mind about that a few times already though...). Belongs to SeriesGemma Doyle (1) AwardsDistinctionsNotable Lists
After the suspicious death of her mother in 1895, sixteen-year-old Gemma returns to England, after many years in India, to attend a finishing school where she becomes aware of her magical powers and ability to see into the spirit world. No library descriptions found. |
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Google Books — Loading... GenresMelvil Decimal System (DDC)813.6Literature English (North America) American fiction 21st CenturyLC ClassificationRatingAverage:
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The basic gist of the story is this: Through a tragic series of events, sixteen-year-old Gemma Doyle has discovered she possesses mysterious powers, namely visions of the future. It is on the cusp of all this that she is sent to England to get an education at a boarding school for girls. After having spent her whole life in India, she finds herself in a whole new world of social rules and requirements. On top of all that, she still has her uncontrollable powers to deal with, as well as the presence of a mysterious young man who keeps telling her she must not use them. Left at a loss by her family’s tragedy, she spends her time trying to unveil the many unanswered questions that go with it.
The most intriguing part of the story to me was the magical realm that Gemma is able to access. I liked the idea that the realm was actually where everyone’s dreams happened or came from, and that everyone could travel there in dreams, they just couldn’t be aware of it or in control like Gemma.
I was also happily surprised by the relationship between Gemma, Ann, Felicity and Pippa. At first, the latter three honestly seemed like pretty two-dimensional characters to me. I thought I could guess how they were going to react, or what they were going to do in situations. But again I was surprised. Each of these characters has something about them that makes them more than what you get at face value – a lot like real life. They all have painful secrets and insecurities. It really made the story relatable.
I also really enjoyed the theme of independence and power that Bray gave to her characters – especially considering how things really were for young girls in the Victorian era. That considered, my only real complaint is some of the things the girls do in the story, real girls in the Victorian era never would’ve gotten away with. (However, perhaps the fact that I’m also reading Tess of the d’Urbervilles right now had an affect on my judgment on this issue, haha.) Although it might’ve been historically inaccurate, points can be given to once again making the girls relatable to a female audience.
Overall my only complaint would probably be that I really wanted to see some more romance between Kartik and Gemma! Bray has a great way of enticing me with just enough Gemma/Kartik scenes to drive me crazy. And now I guess I’ll have to go read Rebel Angels as soon as I can get my hands on it. ( )