John C. Gardner (1933–1982)
Author of Grendel
About the Author
John Gardner is the best-selling author of more than twenty-five books and taught creative writing at many universities, among them Chico State, Bennington College, and SUNY-Binghamton. His novels Grendel, The Sunlight Dialogues, and October Light are regarded as modern classics. He was killed in a show more motorcycle accident in 1982 at the age of 49. show less
Works by John C. Gardner
The Alliterative Morte Arthure: The Owl and the Nightingale and Five Other Middle English Poems (Arcturus Books, Ab116) (1971) 64 copies
John Gardner on Writing: On Becoming a Novelist, On Writers and Writing, On Moral Fiction (2013) 21 copies
John Gardner: An Interview 3 copies
Nicholas Vergette 1923 - 1974 3 copies
On Books 1 copy
The Red Napoleon 1 copy
Flamboyant Drama 1 copy
MSS, Spring 1981 1 copy
Music From Home 1 copy
Associated Works
The Outspoken Princess and The Gentle Knight: A Treasury of Modern Fairy Tales (1994) — Contributor — 200 copies
Adventures into science — Illustrator — 1 copy
Tagged
Common Knowledge
- Canonical name
- Gardner, John C.
- Legal name
- Gardner, John Champlin, Jr.
- Birthdate
- 1933-07-21
- Date of death
- 1982-09-14
- Burial location
- Grandview Cemetery, Batavia, New York, USA
- Gender
- male
- Nationality
- USA
- Birthplace
- Batavia, New York, USA
- Place of death
- Susquehanna County, Pennsylvania, USA
- Cause of death
- motorcycle accident
- Places of residence
- Batavia, New York, USA (birth)
Oakland Township, Susquehanna County, Pennsylvania, USA - Education
- DePauw University
Washington University (BA | 1955)
University of Iowa (M.A. | 1956 | Ph.D | 1958) - Occupations
- professor
novelist
poet
essayist
literary critic - Organizations
- Binghamton University
Bread Loaf Writers' Conference
Southern Illinois University at Carbondale
San Francisco State University
Oberlin College
Chico State University - Awards and honors
- American Academy of Arts and Letters Academy Award (Literature ∙ 1975)
National Book Critics Circle Award (1976)
Members
Discussions
1970’s American Literature in Name that Book (July 2016)
Reviews
Lists
1970s (4)
Overdue Podcast (1)
METAfiction (1)
Unread books (1)
AP Lit (1)
Parallel Novels (1)
Awards
You May Also Like
Associated Authors
Statistics
- Works
- 50
- Also by
- 13
- Members
- 14,668
- Popularity
- #1,572
- Rating
- 3.8
- Reviews
- 227
- ISBNs
- 245
- Languages
- 14
- Favorited
- 2
Possibly the worst part about this book was the utter betrayal it represented. I was actually really excited about this! And then. Oh and then. Then I . . . started actually reading.
I was so enchanted by the pitch – Beowulf told from the point of view of the ‘monster’? Grendel’s story? A familiar tale told from a new angle? That’s one of my favourite things! And one of my favourite stories!
This book is actually very short. 174 pages in a quite small volume. I wish I could say that was a blessing, but it took me roughly six weeks to read. (In that time I read about three dozen fantasy novels and about four other classics, including rereading some Wilde.) I dragged myself through every page, feeling like I was slogging on my knees through sand dunes. I even begged my mother to let me off reading this and replace it with literally any other classic she could name. I had never done that before – and never did after – so let it stand as a marker of how much I felt tortured by this book.
(I read classic Russian literature recreationally as a teenager. Depressing, dragging, dark literature was clearly not a deal-breaker for me even then. That was and is not my problem with this book.)
Grendel is depressing, and dark, and . . . well, it is ludicrously self-indulgent over those things.
The kind of ‘I am miserable’ where it feels as though the person complaining to one – which the book, in first person, reads as a kind of stream of consciousness internal monologue of revelling in despair and gore – is delighting in how miserable and awful they are. I’m a monster, you couldn’t possibly understand, everyone hates me and there’s nothing I can do but respond by becoming ever more monstrous feel my pathos while I howl dramatically and go kill and devour more people because what is the point.
I didn’t feel like I was reading the despair of a creature the humans refuse to – or can’t – understand, one who is forced into a corner and fights, kills, because it is all he can do against these creatures to whom he cannot make himself understood, nor understand in turn – which is how it was pitched. Instead I felt like I was hearing the joyously delighted, self-centred manifesto of a psychopath whose psyche’s only ‘torture’ is in the rare occasions he faces a consequence for his actions.
I was told that this book is about confronting the monsters within ourselves, and I see it listed that way in many lesson modules. I want to personally track down the person(s) who thought this book could teach this lesson well and shake them. Hard.
Grendel has no interest in confronting the monster within himself – he is that monster, and there is nothing else but the delight in blood and death, and the self-righteous anger and disbelief when he is forced to face a consequence – like a human that fights back rather than be shredded and eaten in large chunks. How dare they.
(Oh, and it’s also more grotesque and grisly than the original Beowulf, which is . . . delightful.)
I’ve read that Gardner wrote the book intending to ‘examine the main ideas of Western Civilisation in the voice of a monster’ from an already-written story rather than creating a new one, and ‘use the various philosophical attitudes, though Sartre in particular’. (Don’t ask me what ‘use the various philosophical attitudes’ means, I have no idea what he intended with that.) He also has said Grendel represented Sartre’s philosophical position, and that he borrowed much of the book from ‘Being and Nothingness’.
I won’t lie to you, when I read those claims from Gardner my first reaction was ‘oh, so the book was terrible because you were trying to be pretentious?’ and it really, really is – pretentious, that is, not reminiscent of Sartre.
After reading that it was supposed to be, I can see (sort of) the way that Gardner wound the theories of Being and Nothingness into Grendel. But it’s hardly recognisable and in Grendel’s mind comes off as yet another self-centred backdrop of ‘here is why I am such a miserable being, and why it is not my fault’.
I’m glad I was familiar with Sartre before finding out this work was supposed to represent his philosophies, and that it was not presented to me thus in high school, or I might very well have been soured on an entire school of philosophical thought by this ridiculously drab, entitled, self-aggrandising drivel.
For another perspective on Beowulf, I recommend staying to the fascinating essays many very interesting people have written, and away from John Gardner.… (more)